Tuesday, January 25, 2011
Wednesday, January 19, 2011
Landscapes (pg. 202-217)
Landmarks in Landscape Photography
· Carletion E. Watkins (1829-1916)
o Wanted to capture the grandeur of the American West
o Learned photography in 1854
o Open his own gallery in 1858 in San Francisco
· Ansel Adams (1902-1984)
o Best known for his Black and Whites
o Primarily shot Yosemite National Park
o Born in San Francisco
o First camera was a Kodak Brownie
· Timothy O’Sullivan (1840-1882)
o Most well known for documenting the Civil War
o Provided the first photographs of the Grand Canyon, Death Valley and Colorado River
o Responsible for the “New Topographics” movement
§ A documentary approach to landscapes
§ Shunned the romanticism of Adams
§ Popular in the 60s and 70s
Photographing the Landscape
Thinking Artistically
· Composition is one of the most important aspects of landscape photography
· Viewpoint is most important of composition
· Pay attention to where you position the camera
· Explore all the variations when you set up a shot
· Go as high as you can then as low as you can
· Move the camera to the right and left
· Move closer and farther back
· Achieve a balance between unity and verity
Camera Settings
· Stop down a lens-f/16, f/22, f/32
· f/64 is usually the smallest f-stop
Light
· professional photographers do most of their work just after sunrise or just before sunset
o light is wonderful at these times
o angle of sun is low so shapes and textures are emphasized by side lighting
Film
· recorded as much information as possible
· use 100 ISO flim with 35mm
Lenses
· Wide-angle lenses
· Really close and distant objects in same shot
Filters
· Yellow brings out the clouds
· Red filter adds contrast
Camera Support
· Tripod
The Grand Landscape
· Big view for pictures of the outdoors
o National, stare, or city parks are great locations to explore landscape photography
Landscape Details and Close-ups
· Sunny days can be bad for the landscape photography
· Light meters are designed to create an exposure that makes medium or middle gray out of the scene being metered
Abstracted Elements in the Landscape
· Abstracted element
o Images composted of lines, shapes, values, and textures
Monday, January 10, 2011
Architecture and Urban Landscapes (190-197)
The Big View
· Wide angel over all view
· Image that shows you the whole building
· The closer you are to the image the picture will get more distortion
· Farther you are from the building will have less distortion
· Shooting from the side naturally creates a three-dimensional view of the building
Shadows
· Try and capture the objects shadow
o Pay attention to the lines, shapes, and value of the object
The Detail Shot
· The individual architectural elements of a buildings interior or exterior
o Door
o Set of steps
o Top of a column
o Carved ornaments
o Decorative brick work
Interior Views
· Wide angle lens
· Slow f-stop
Architecture and Urban Landscape (179-189)
· 1840’s Charles Negre
o Began to use photography to create studies for his paintings.
o He used to paint, but then he turned to photography.
o He started to see photographs as an end in themselves.
· Federick H. Evans
o Photography made from the late 1890s and 1920s are filled with emotion and light.
o Advice from him to other photographers:
§ “Try for a record of emotion rather than a piece of topography.”
· Eugene Atget
o A former actor and sailor turned to photography in his late 1890s
o When in his 40s he was a self-taught photographer and used lenses that were considered old-fashion.
Photography the Built Environment
Think Artistically
· Can be a visual recording of a building’s appearance.
· Key Ideas
o Use the corner of a room or the curve of a walkway or stair you can use line to lead the viewers eyes through an architectural image.
o Vertical and horizontal lines at the edge of buildings
o Observe the space that surrounds the objects or buildings in your photograph.
§ Can reveal a great deal about its “personality”.
o Patterns
§ Bricks
§ Designs in a carpet
§ Wallpaper
§ Arraignment of windows
§ Helps by strengthen your photography.
· Camera Settings
o Small f-stop gives a greater depth of field
o Bigger format
o Bigger negative the better detail it will capture
o Slower film
· Film
o Color Films
§ Emphasize color and setting
o Black and white
§ Emphasize value, shapes and textures
· Lighting
o Color of lighting is important in interior architectural photography
· Lenses
o Wide-angel
§ More distraction you get
· Filters
o Black and white
§ Include sky and clouds